Category Archives: Reviews

The ritual of writing

There are a great many small joys and privileges that come from working at a Pagan publishing house. I get to read all sorts of books ahead of release. I get to help new authors break in, and more established authors reach further. I get to help. There’s an immense joy in seeing a writer winning – a first time author with a breakthrough title, an author whose been slogging away at it for years finally getting the attention they deserve. This is not always the work I am paid to do, this is sometimes stuff I do in my own time, because I can.

A few years ago, Andrew Anderson submitted a manuscript to Moon Books. It wasn’t something we could publish – it was simply too short. I liked his ideas and his writing style, so I dropped him an email with some pointers about what might work and get picked up – I’m not the person making those decisions, but I know how publishers operate. To my immense joy, he came back with a new book, and it clearly was one that we could put out. This month it is released.

The ritual of writing is a book for bards, and for anyone else using the written word as part of their creative spiritual life. Anyone inclined to write rituals, spells, prayers or meditations will find something they can use in this book. For anyone who wants to use writing as a focus for their spiritual journey, this book is resplendent with tools and ideas. It’s an ideal read for anyone on the Druid path and a natural companion book if you’re doing the OBOD Bardic grade. That Andrew is studying in the Ovate grade with OBOD should come as no surprise!

I’m personally delighted to see a book exploring creativity as ritual process in this way. I’m excited to see a new and innovative addition to contemporary Druid thinking. I’m looking forward to seeing what Andrew does next. I feel honoured to have had the chance to be part of his story.

The ritual of writing is available anywhere that sells books. here’s the Amazon link – https://www.amazon.co.uk/Ritual-Writing-Spiritual-Practice/dp/1789041538 

Advertisements

Rottingdean Rhyme – a review

Rottingdean Rhyme, by Nils Nisse Visser is a steampunk novel set in an alternative Victorian England. The book connects with Amster Damned (reviewed here) but you don’t need to have read that to enjoy this tale.

It’s a short story about smuggling and steam powered aircraft, and community and poetry, written with charm and heart.

When people write alternate history, the decisions about what to leave out and what to include are really important. For anyone writing steampunk, questions of race, gender and class are ever present. How do we think about colonialism, industrialisation, pollution, and the widespread exploitation of the era? There are many dark aspects to our history, and any novel that’s just jolly japes in period costume while pretending the past was a lovely place, is not for me.  One of the reasons I appreciate Nils’ work is that he gets an excellent balance of squaring up to issues while creating an engaging adventure.

The context for smuggling, is poverty. One of the reasons smuggling, like piracy, highway robbery and other such technically criminal activity is so romanticised, is because in so many times and places there have been so few ways of dealing with relentless, grinding poverty. Robin Hood is the poster boy for this sort of thing, but he’s never been alone. These are all figures who, through British history have raised a finger to the ruling classes and pushed back against abject poverty. When you’ve got nothing, the story of someone who pushed back can be worth a great deal.

Early on in this book, one of the characters enthuses about all the technological advances being made, and another, older, wiser figure puts him straight on this. How many people can afford to take advantage of those developments? How many new technologies are playthings for the rich, and how much use are they when children still go hungry? It’s a question that is tragically still relevant.

This is a great little story, full of adventure and memorable characters. There’s a deep love of landscape and people underlying the whole thing, and a political sensibility full of modern relevance. How can we ask anyone to honour laws that keep them hungry and powerless?

More about the book and other titles by Nils Nisse Visser here – https://www.nilsnissevisser.co.uk/ 


Draka Raid – a review

 

Draka Raid is a new story from Nils Nisse Visser – there’s a guest blog about it here. It relates to his Wyrdwood novels, which I’ve reviewed here.

This is a small book, somewhere on the border between novel and novella. It’s set in the 800s and involves a myth we see in the background in the Wyrdwood novels. So, if you’ve already read those books, this has some extra layers that you’ll enjoy. However, you certainly don’t need to have read the other titles, you could just jump in here.

This is a book for people who like a bit of creative messing about with folklore and language. There’s magic, and the magic is intrinsically Pagan in a way I have no doubt many modern Pagan readers will enjoy. It’s an action orientated story, all about a community responding to a raid. I read it in an evening and very much enjoyed it.

I think it would be a particularly good book for teens, especially Pagan teens. It’s got a young woman at the heart of the tale and a number of boys who are obliged to step up as well. It is a tale of courage, and of protecting your home from unprovoked attack. Nils strikes an excellent balance in endorsing honour and courage while recognising the cost of violence and depicting violence for the sake of it as something abhorrent.

Heartily recommended. More about the author here – https://blakeandwight.com/2017/09/06/soup-of-the-day-with-steampunk-author-nils-nisse-visser/


Sacred Art: A Hollow Bone for Spirit

 

Sacred Art, a Hollow Bone for Spirit is a new book from Imelda Almqvist. As the title suggests, this is a book about sacred art. However, it’s published by Moon Books (this is where I first ran into Imelda) and Moon Books is not set up to do lavish, image-heavy publications. As a consequence, this is a book about sacred art that doesn’t have any images in it. This limitation has, I think, paid off rather well and led to a book that invites its readers to think and imagine rather than showing them what sacred art is.

The art in this book exists primarily in your head. By this means, you might start to see the forms sacred art could take for you, rather than being focused on what other people have done. There is nothing to be intimidated by, or directed by about how the art *should* look. How you imagine the art as you read the book may well take you towards your own process of sacred art-making in a way that being shown other people’s work might not.

In many ways, this is a philosophical book. There is a steady stream of small activities to explore, but the bulk of the book is an investigation of the nature of sacred art. As someone who trained as a fine artist and has worked with art in various capacities for many years, Imelda knows a great deal about art. She’s also been working with shamanism for a long time, and is well qualified to speak about the role of art in a spiritual and shamanic context.

While shamanism is the focus of the book, you don’t need to be on that path to benefit from reading it. I think this is an ideal text for people exploring the bard path as well. There’s so much to chew on about how and why and what we create, that anyone interested in exploring any form of creativity linked to any Pagan path will likely find something they can use.

In the absence of art, and being light on the how-to instructions, what this book leaves you with is the clarity that sacred art is something you do. It’s not something other people tell you how to do. It’s not something other people can give you marks out of ten for. You do not pass or fail on human terms here. If you can take onboard the philosophy and open yourself to working in this way, what follows is your personal journey, for which no maps are available.

For anyone serious about this journey, the book is rich with suggested reading and other resources to check out. You could take this on as a workbook and treat it as the core content of a spiritual art course, read all the extra materials, do all the exercises, and see where it takes you. Equally, you can read it from a place of curiosity and see what sticks. Imelda is clear that everyone needs creativity and everyone has the scope to be creative. For some, that will mean a devotion to sacred art, but the rest of us will benefit from whatever we are able to do.

Find out more about the book here – http://www.shaman-healer-painter.co.uk/info2.cfm?info_id=225883 


Doughnut Economics – A Review

 

Kate Raworth’s book on economics is a very readable and useful text. The odds are, if you’re reading this blog that you are the sort of person to question conventional economics. You’ve likely noticed that the constant growth model doesn’t make any sense and that GDP doesn’t measure anything useful. But now what?

The Doughnut, is the safe space for humans that meets everyone’s basic needs without compromising the planet.

In Doughnut Economics, Kate Raworth lays out the history of the subject, explaining how we got to this current set of beliefs about the role and functioning of money. There is nothing natural or inevitable about where we are and it is not underpinned by any real laws. What has happened, is that the people making policy and working with money have adopted the stories of economists and to some degree, made them true. That’s not the same as making them work. The exciting thing in all of this is that economic stories can change, which in turn would change our relationships with each other and the planet.

What’s particularly good about this book, is that it doesn’t just offer top-down solutions for fixing things. There’s a lot here we can take onboard as individuals and within small community groups. For anyone who wants to be part of changing our collective story about economics, there are tools here for your kit box.

This is an excellent book to read alongside Ecolinguists (which I reviewed here – ecolinguistcs-a-review ) because the stories we tell about money, finance, taxes, and the economy are both economics issues and ecolinguistic issues. How we are influenced by the language of these is really important. There is power in understanding that language – firstly the power to step out of the story and see yourself differently. Secondly we have the power to influence each other through the economic stories we tell and the language we use to tell them.

And if that doesn’t make your bardic heart beat a little faster, or swell with hope and possibility…

More about Doughnut Economics here – https://www.kateraworth.com/doughnut/

 


Wild Earth Wild Soul – a review

 

Bill Pfeiffer’s book – Wild Earth Wild Soul – offers itself as a route to creating ecstatic culture. It does this by imagining that you, the reader, are planning to run a ten day Wild Earth Intensive along the lines that the author runs such events. You probably aren’t going to do this, something the author is perfectly aware of. It is however an engaging way of structuring a whole array of ideas about how we build community and transform our relationships with people and the planet.

The underlying principle is that if we spend time encountering other people and wild things in a safe and open hearted way, we will change. If we give ourselves time to be authentic, fully feeling beings engaged with what’s around us, we will find bubbling up within ourselves the same understanding that underpins indigenous wisdom around the world. While much inspiration is taken from indigenous elders and speakers, the principle is that we can’t just borrow from others. We have to make this for ourselves, wherever we are. It’s a really good principle.

Read this book for the philosophy it offers. Read it for the things you can adapt and fit into your own life. Read it in a group and try some of the things collectively. It would be an ideal book for a study group, grove, coven, moot or other Pagan gathering to take on as a shared basis for study.

If you were thinking about running a group of any sort, this book is well worth a read. It’s written with the assumption that you are starting with few or no tools and attempting to run a complex and ambitious event. It’s consequently full of valuable insights into how to step up as a leader – especially when you have no experience.

It’s nice when your area has established leaders and elders to turn to. However, this isn’t always the case. Many of us who have now been taking such roles for fifteen, twenty years or more did not have anyone to learn from in that way when we started out. In those circumstances you look around for what role models you can find and cobble together what you can, and learn by doing the work. This book is an ideal read for someone in that position. It also makes explicit that it is totally ok, and often necessary, for people with no previous experience to step up in this way.

I can definitely recommend this book. I think most Pagans would find something useful for them in Wild Earth Wild Soul. It’s always possible that, having read it, you will decide that a ten day Wild Earth Intensive is in fact what you should be doing – and that would be a fine outcome. That’s not what’s happened for me, but I want to use it as a jumping off point for talking to my local Transition group about how we build resilience, and what kind of community skills we might need to nurture between us.

More about the book here – https://billpfeiffer.org/core-programs/core-program-wild-earth-wild-soul-intro/book/ 


Miserere – a review

 

Miserere, by Teresa Frohock is a fantastic fantasy novel. At risk of a little bit of spoilering, I’d like to explain what happened to me as I read the first few chapters…

Chapter one… ah, Catholic mediaeval fantasy with angels and demons and Latin, and prayers as spells and all that.

Chapter two: Why are we in the present day? Is this a portal story? Then where/when were we before? This is not what I thought it was.

Chapter three: This world building is very exciting.

And from that point I had a great deal of trouble putting it down.

There were a number of things I particularly liked about this book. I immediately loved the fact that of the four main characters, three are middle aged. They’ve already lived and loved and made terrible mistakes and done problematic things to each other and they are messy and flawed and very real. As a middle aged reader, it’s rather pleasing to have some middle aged fantasy action.

Of the four main characters, three are women. Two are middle aged women, and one is a child. They all kick ass.

There’s some wonderful background content about religious diversity. That made me very happy.

Horses have names. People care about them. They are not disposable modes of transport.

The writing is excellent – this is an author with a strong and distinctive voice, able to craft powerful turns of phrase, to capture scenes in a few lines and to quickly give a sense of character. The pacing is excellent.

I shall be seeking out more books from this author, she offers the blend of escapism and relevance in her work that I crave. The fantasy side is suitably fantastic, the human and emotional side of the story is potent and full of truth.

You can find out more about Miserere here – https://www.simonandschuster.com/books/Miserere/Teresa-Frohock/9781597802895


Ecolinguistcs, a review

 

Ecolinguistics is an academic book by Arran Stibbe, exploring the way in which language underpins how we treat the natural world. I think it’s a brilliant book and heartily recommend it. However, it is expensive, so you might want to look at co-owning one (an ideal solution for study groups and groves). Unfortunately, the ebook version isn’t much cheaper than the paperback. If you can’t afford £30 for a book, there is a free online course that covers much of the same material, but not in the same depth. http://storiesweliveby.org.uk/ I got lucky and picked up a copy during an online sale.

Ecolinguistics is a detailed exploration of how we use language to talk about the world we live in. It’s quite a technical approach, and at times hard work for the non-academic reader. I found I mostly had to take it in small bites. There’s a density of ideas here, too. If you like pondering the intricacies and nuances of language, this a marvellous thing to read. It dissects how different people use language and the effects it has. It gives us the tools to use language differently and to more compassionate ends. This is a deconstruction of how the language of economics, particularly, breeds greed and self interest.

Humans are storytelling creatures. That’s not just about books and tales, but about how we communicate with each other. We tell each other stories about our experiences. Adverts tell us stories, so do newspapers, politicians, think tanks, pressure groups, and the PR teams for big business. The language we are exposed to is part of our environment, and we are all influenced by what we’re exposed to – to some degree. Expose people to the calculating language of animals as stock, landscape as resource, trees as biomass, and we become colder, less caring, less willing to take care of what’s around us.

However the flip side of this is that when we use inclusive language, when our stories place us in a community of beings and in relationship with the land, we become more compassionate. When we tell each other stories of belonging and involvement, we become more generous and open hearted, able to care and to get involved.

For me, this is absolutely what Druidry should be about right now. This is a path that’s always held a balance of human culture and wider nature. Story telling is part of what we do. For me, this book was a massive encouragement to see what a Druidic approach can do. This book gives a person the tools to move from an intention to an evidenced way of working, and the reassurance to know that this kind of approach works. We can make a difference with the stories we tell, and the language we use.

I found Ecolinguistics to be an incredibly inspiring book that has promoted me to do some serious thinking about what I do, how I do it and what value it might have. I’m planning to come back and blog about specific language use that might be interesting to fellow Pagans – ideas about how we talk about the world. I’m also aware of having had my poetry influenced by reading this book, and a clearer set of intentions for that line of writing has come to me as a consequence of it. More of this as it develops.


The Pre-Programming – a review

I read and reviewed The Automation – part one of the Circo del Herrero series back in the summer. Volume 2 is now out and honestly it blows the first novel out of the water. I really enjoyed the first book, but volume 2 achieves whole new levels. It’s also nigh on impossible to talk about the plot without spoilers for the first book.

This is a modern set fantasy in which Vulcan (the God) has automata running around in the human world causing trouble and adventure. You do not need to know your Greek or Roman Gods to get in here and enjoy the tale. You can’t start with volume 2 though. You really have to begin and the beginning with this series or you will be utterly lost. This is a complicated reality with a lot of ideas in it, and you need to get in and appreciate some of those ideas before you have them taken apart for you.

Volume 2 picks up the plot threads from volume one, laughs at you, and runs off in a whole selection of new directions. Nothing makes me happier as a reader than a well crafted story that I cannot predict. This is one of those. Twisty doesn’t begin to describe it. I was entirely surprised, repeatedly. Plot shapes suggested by volume 1 crumbled. Characters died. Agendas were revealed to be other than expected. No one was quite who I thought they were. By the end of book 2 it looks like the real plot has emerged, and now we know what’s going on. I expect we’re being set up for even more massive rug pulls when volume 3 comes out.

There was one line in the FAQs at the start that stuck out for me “Because the author of this series grew up in the Bible Belt, is of indigenous descent and has a lot to say (sub-textually) in response to colonialism and literature like American Gods, for instance.” It struck me that this series (at the moment) is well worth considering as a response to American Gods and that looking back at American Gods with this in mind, I now feel quite uneasy. And also happy to feel uneasy in retrospect.

I heartily recommend this series, it is knowing, funny, provocative, full of surprises. I wait impatiently for the next instalment. Find out more at circodelherreroseries.com


Mountain

Last night the local film club put on a film called ‘Mountain’ – 72 minutes of mountain footage directed by  Jennifer Peedom with a script by said director and Robert McFarlane. If you enjoyed his book ‘Mountains of the Mind’ it’s a natural accompaniment. It deals (in far less depth) with all the same issues – obsession, our need for wild places, the way perceptions of mountains have changed. For someone like me, who does not go up mountains the footage of places I could never properly imagine, was most welcome.

The take-home line for me came as the film (narrated by Willem Dafoe) considered the relationship between colonialism and mountains. “Replacing mystery with mastery.” It struck a chord. This urge to get to the top of mountains is one I’ve always found a bit odd. I love mountains, I love looking at them, but the language of ascent and conquest makes me uneasy.

What is it that gives some people a desire for extreme experiences? Why can some people only feel truly alive while staring death in the face? The mountain climbers in the film where overwhelmingly (but not exclusively) affluent white men. You only have to look at the kit to know this is not a hobby for the poor. It is the people with the most control and the least risk in their lives apparently who feel the need to get out there and seek risk. And I have to question what they do to landscapes in their quest for thrills.

The footage of long lines of people under supervision, following the established ropes up Everest demonstrates that what we do with wilderness is try to tame it. The urge to conquest destroys the very wildness that was attractive in the first place. When you consume landscape in this way – building roads and base camp and ski lifts and whatnot, the very thing you were chasing, is driven out of reach.

Walking back home afterwards, through a chilly winter’s night, we reflected (Tom and I) that this was as cold as we wanted to get while walking. We wondered about the kind of life that sends a person chasing such risks. I find I do not have to be staring death in the face in order to feel alive. I generally feel alive. I feel alive in all my encounters. Being able to feel alive and present in my day to day life, I do not need to shock myself with danger or overwhelm myself with enormous things in order to break through my own apathy or indifference.

I wonder how much of it stems from a loss of mystery and meaning.