Most life happens at the edges, most growth is at the margins. They are often fertile places where the interplay between different environments creates maximum possibility. Something similar happens in the inner landscapes when we move to the edges.
There are three different things at work here, and they are all equally essential. The comfort zone, the unknown and the boundary. Having space – physical and psychological – where we feel safe and relaxed, is essential. I’ve tried doing this the other way, (not deliberately, it’s just what I got) and it turns life into a perpetual, exhausting battle ground. Without much of a comfort zone, there is no rest, nor peace, and if everything is allowed to become a bit other, a bit threatening and untrustworthy it’s a form of insanity as likely to paralyse a person as anything else. These are all things we learn how to construct, but might not notice ourselves making. The comfort zone, the otherness and the borders are largely of our own devising.
The author Lord Dunsany used the refrain ‘beyond the fields we know’ to allude to Faerie. I find it a very helpful thought form. The fields we know are familiar, close to home, part of our landscape. Things can happen there that are interesting and engaging, but they fall within a predictable framework. Beyond the fields we know, all bets are off. Nothing can be relied on to function in the same way. For Dunsany, the border between the two is shifting and unpredictable as well, and that’s an important point. Where we feel familiar, and comfortable, where we feel uneasy and exposed can change and it’s not always obvious why. Our own borders and edges shift, sometimes they are easily crossed, sometimes painfully difficult.
As a walker, I have learned the enchantment of going beyond the fields we know. Even a short detour on an unfamiliar track brings a sense of magical potential. To see a familiar landmark from an unfamiliar angle is to see it anew. Going into the unknown, we can look back and get a whole other perspective on the things we thought we knew.
Going too far into the unknown, without maps or references, can result in an overwhelming, overload of experience that we can’t always make much sense of. Too much of the unfamiliar at once can be hard to take. At the point where we are lost, confused and exhausted, the adventure sours into something miserable. We have to cross back over into the place we understand. And here’s another lesson from Dunsany, because if you start out in Faerie, with that as your comfort zone, then the fields you know are other fields entirely, and Faerie becomes the safe space to retreat back to. It is not the landscape that is inherently strange or mundane, it is our experience that makes it so. In several Dunsany tales, otherworldly things return to their otherworldly places because this world is just too much for them. We who live here all the time do not notice the things that might make it wonderful to someone else.