The things that get passed down through our family lines, the stories, and demons, the things that are part of us because we’re playing out historical dramas, have been a fascination of mine for a long time. How we break free from all that, or work with it, or make peace with it… There’s a modern tendency to see ourselves as self-made people, products of now, of our immediate environments and education, and not to go poking into how generations of experience might have had a hand in shaping us. Yet here in the UK, land ownership still owes a lot to the Norman invasion. Inequality has deep roots.
Stories pass down family lines. Obvious ones are anecdotal or about descent and history. Less obvious ones just say things like ‘that’s not for the likes of us.’ In singing families, songs pass down through generations as well, and tradition bearers of this sort have done a lot to keep folk alive. I don’t have that depth of ancestry – my grandmother came to folk during the sixties folk revival, but I do have songs I learned from her singing them, and with luck a grandchild or great grandchild of mine will be able to feel that they have a musical lineage.
There aren’t many authors I’ve run into who explore the magical possibilities of music – Charles De Lint, obviously. I guess part of it is that the character breaking away from roots and tradition seems more inherently exciting than the character who is steeped in or reconnecting with their family traditions. Dramatic change is the stuff of conventional fiction, especially speculative fiction. Deep rootedness seems at odds with that.
These are some of the many thoughts sparked by reading Kevan Manwaring’s The Knowing. It’s a speculative novel deeply rooted in faerie folklore and traditional stories. The central character, Janey, comes from a line of women who are song bearers, and the magical power of song is critical to her journey. Drawing on the tales of Tam Lin and Thomas the Rhymer, and on the curious history of Robert Kirk, and on the folklore in the landscape of both Scotland and the Smoky Mountains, this is a story with deep roots. It’s also a story set very much in the here and now, full of unexpected turns and twists.
For most of human history, song and storytelling have been intrinsic to our lives. It’s only really post industrialisation than the majority of us have been uprooted from our traditions and encouraged to accept mass produced entertainment instead. What used to be a shared culture has been replaced by economic ventures. But, I also see these same modes of communication being used to reclaim tradition and breathe new life into it. With a background in storytelling, Kevan is well placed to bring old enchantment into the world in new forms. It’s not the means of delivery that matters most, but what it is that we have to deliver.
Find The Knowing here – https://www.amazon.co.uk/Knowing-Fantasy-Kevan-Manwaring-ebook/dp/B06XKKFGFV/