This blog was prompted by reading a recent post from Cat Treadwell about daily creativity, and how that might work. What roles does creativity play in our lives? What happens if we are creative every day, or more days than not?
Writers are often encouraged to write every day – and there are reasons for considering this, and also reasons for rejecting it. Writing every day will help you build a skills set if you are fairly new to the craft and need to develop. There are things you can only learn by doing them. You won’t know how to write a book length piece until you’ve done it a few times, for example. Most writers learn so much writing the first few books that they don’t want to share them with anyone else. Later in the process, turning up every day can be about refining and revising your work towards a suitable standard as well as putting down words in the first place.
As an occasional musician, someone who dances for fun, colours professionally, writes books, crafts and has even acted on occasion, I’m pretty alert to the mechanics of creativity. You have to practice to develop skills, and regular or at least reasonably frequent practice is best. Even if you’re looking at being creative just for personal pleasure and relaxation, it works better if you have skills to deploy and can feel rewarded by what you achieve. Invest ten thousand hours in anything and you’ll be something of an expert at it. All of this makes clear why daily creative work is a good idea.
However, practicing skills isn’t necessarily a creative-feeling process. Scales on a musical instrument, repetition of dance moves to get them right. Learning a craft technique, or a poetic form, or committing something to memory. These are not things where the fire of inspiration will burn brightly in your head. These are workish things that take you forward.
Often what’s attractive about creativity (especially to would-be bards) is that fire in the head experience. The rush of inspiration, the energy and drive of it, is exciting and powerful. Unhelpfully, when we’re shown creative people in films and media, we’re usually shown them working from that state, going from blank canvas to finished work of genius in the heat of creative passion. No study drawings, no sketching, no planning. This is not how real creativity normally happens. In a real process, there are moves back and forward between flashes of inspiration and working out how to deliver it.
Whether you need to show up every day and do something creative depends a lot on your inspiration rhythms and where you are in your process. If you are learning or refining, then turning up as often as you can is the best idea. If you are waiting for inspiration to strike, turning up can be counter-productive. Some people find it works to make the space for inspiration by sitting down to write something. I don’t find that works for me, and the work I force out when I don’t feel ready is never work I like. It is better for me to ferment ideas, and run with them when I feel ready. I also find it helps to take time off and give my brain space to come up with ideas.
Much of what I do isn’t heat-of-inspiration work. I don’t need to feel inspired to do comics colouring, it’s a process of applying what skills I have. Ideas may occur to me as I colour, but they aren’t big or dramatic ideas, just ways of delivering on the work I am doing. Crafting is similar – I need inspiration to start a project, but once I have that, the rest is just mostly about getting it done.
There’s no one right answer here that guarantees success and good quality creative output. You have to know where you are with your skills set – if you are learning and if practice is the most important thing. You need to know what the form you’re working in really requires. You have to know where inspiration fits in your process, and you need to know what you need to do to find the inspiration you need.