Tag Archives: pivilege

Separating art from the artist

Should we draw a line between what people make and who they are the rest of the time? Is it possible to do so?

Firstly, to separate art from artist you have to not have been affected by whatever they did, or are doing. The person who can separate may well be experiencing privileges not available to others and is therefore under some obligation to proceed thoughtfully.

Is the creativity being used as a platform? Does it get this person access to victims? Is it giving them an opportunity to spread hate or cause harm? Is their economic value to their industry resulting in people pretending not to see the harm caused? Where this is true, the decision to consider the art as separate from the artist is the choice to be complicit in the harm they cause.

Where the artist is dead and can no longer hurt anyone directly, it might be less problematic to separate art and artist. However, the notion of whether that harm continues may be less visible to people with more privilege. If we continue to celebrate people who were harmful, and we do so by saying that the art is more important than the harm, what message does that send to the people and the wider communities they harmed? What does it tell future artists about what is acceptable?

Is it truly possible to separate someone’s behaviour from their art? If you’ve experienced the kind of nastiness they pedalled, that art is going to be tainted for you even if the specific content isn’t always visible. If I know someone was abusive, I can’t un-know that to view their art objectively even if I want to.

I don’t accept that ‘greatness’ in any field should give anyone a free pass on being a shitty human. I think for every shitty human who has managed to also be a ‘great’ creator there are many less visible people who are kinder and who do better work. Capitalism favours ruthlessness, self importance, and people who like having power over other people. Gentler people can be disadvantaged by the way the big business side of creative industries work. I’d rather seek out the less famous folk than support the ones whose creative platform has more to do with their pushiness than with their ability.

There are massive issues around who is allowed to be ‘great’ and shitty at the same time. The further you are from being a white, middle class, straight, cis guy, the less room you will be allowed to be considered great while being shitty. What’s indulged in this demographic isn’t allowed for everyone. While some are allowed to get away with almost anything, others are punished for not playing nicely and not doing what they are told – not playing nicely includes of course calling out the shit of the great white men. The more profit you make for other people, the more likely you are to be considered great and to be shielded from the consequences of your actions.

I can’t separate art from whatever I know about the artist. I can’t separate any aspect of human endeavour from whatever else a person is doing. If it’s something you find it useful or interesting to do – that’s fair enough, but please be alert to who gets harmed when we excuse certain kinds of behaviour on the grounds of certain kinds of output.