Often, we talk about inspiration as being the act of creating a piece of work. That’s not quite what happens around performance. It is possible to be a really good performer – of music, poetry, theatre, dance… without creating original pieces of work. There are a number of ways in which inspiration can manifest.
Firstly there’s the choice of material. An inspired choice will be a powerful thing. This is about finding the perfect piece for the setting, the time of year, the audience, the mood on the day. When this works it can be truly magical. As you’re preparing material and won’t necessarily be able to fettle those choices in situ, how inspired you are in your choices can make a lot of odds.
There’s a lot of work involved in learning and arranging a performance. A lot of your own creative energy will go into this. What you do with your voice or body to bring a piece to life is very much yours. The preparation work you do will also inform how you are able to interpret and perform the piece in the moment and what you can do to tailor it to the space, audience etc. Whether you prepare with the intention of doing it in a way you’ve settled on, or whether you prepare to try and have many options on the day is also a factor.
Then there’s what happens in the moment. When you step into a space and decide how to perform what you’ve brought with you. The more confident you are, the better. The more sure of your material you are, the better. But there’s also always that scope for something magical to enter in and influence what you do. Performance itself can be inspired, and when it is, there is a considerable difference.
Creativity is a way of being in the world, a way of being open and interacting with the material, the spaces, the audience. Inspiration is a strange, glorious process that can strike at any time. Anything we do can be lit up with inspiration and can be made more wonderful by having that extra spark in it.