Tag Archives: magic

The study of power

To my mind, anyone interested in the idea of magic should be interested in the nature of power. Actual power as it manifests in the world. If you want to use power – however supernatural that aspiration might be, you need to know how power works. It is worth investing time in the study of real world power.

The ways in which some people have power over others are many, and often profoundly unethical. The power to make someone do something against their will is a pretty evil thing, when you stop to consider it. And yet, hard wired into many of our relationships with professional people is just such a power imbalance, because we accept that they know best what it is that we need.

When a child is first born, they need everything doing for them. They are absolutely vulnerable, and entirely at the mercy of those choosing on their behalf. As children grow, they become ever more able to take control of their lives. How long do adults keep telling them they know best? It’s not always a negotiated exchange, and it runs through to legal and political decisions that are made for children without their consent. Much the same can be said of power relationships with adults who are deemed unable to decide for themselves.

The power of money to influence us. The power of advertising to shape our desires and dreams. The power of television to tell us what kind of behaviour is normal. The power of the media to tell us what we should be angry about. The power of big business to shape our lives. The power of society around us to shame and exclude us if we stray too far from what TV has told us is normal and the papers have told us we should be angry about…

To study power is to study the language of power. It’s those who have the right words at their command who can work with the law. It’s those whose education gives them the right language who can access the best jobs. It is words that crawl into our heads from adverts, TVs, songs, films, newspapers to tell us who and how we are supposed to be.

And sometimes it is the absence of words, the silence when you can’t say you are gay, or a witch, or a vegan and so forth without fear of ridicule and worse. If you need to be silent to be safe, then there are things to know about how power works in your life.

The words you use, the words you are not allowed, the labels you wear, the titles you seek – these are all questions of power. If you want to use power on your own terms, it is as well to know how power already works within your life.

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Bard Magic

Normally we talk about magic in terms of acts of will crafting deliberate change. For me, bardic magic has always had a distinctive flavour of its own, a very different form and highly unpredictable consequences.

For a start, bardic magic is something that happens as a consequence of doing bard stuff. It doesn’t always happen, it can be elusive, and is certainly not obedient. You can set out to be creative, and it often helps to be clear about what you want to make – be that a song, a story, a pie, a garden… The magic is not something you direct, but something you make room for. That room is made by the creative act itself, and it means what comes out at the end might not be as you intended.

For example… imagine a group of people getting together to share music. Often if the people are good, what you get is good. Sometimes, if the people doing the music are not just good, but open to each other and to inspiration, magic, awen, in just the right way, something else gets in. Something happens that changes the music into an experience of soul and wonder. What consequences that may have for each player, who can say? The music that comes out of such moments is often far more powerful and affecting than anything you can do by skill alone.

In regular magic, we draw our circles, put up our protection and steer things in the direction of our choosing. Bard magic is something you let in. You go to it vulnerable and exposed, and you let it come through you and into the world. It can break your heart, unsettle your mind, rearrange your priorities.

Try to tame inspiration as a force, try to keep it tidy, controlled and in line with your will, and you may never even glimpse it. Awen does not manifest on those terms. It does not come to do your bidding, although it may rise up at your call to sear its way through your soul and transform the lead of your plan into the gold of the sublimely unexpected.


Magic and ritual

In witchcraft traditions, ritual (as far as I can tell from the outside) is what you do in order that a group of people can do magic together. There’s also an aspect of celebrating the seasons and honouring deity and the natural world.

Ritual for Druids is often more about the celebration, and less about deliberate intent to perform magic. There are groups and individuals who approach Druid ritual for magical purposes, but my experience has been that the majority gather to celebrate, above and beyond all else. It’s one of the reasons Druid rituals are more family friendly, because there isn’t the same demand for deep focus and intensity that collective spellwork requires.

Having said that, Druid ritual has the capacity for magic. It is more likely to be an emergent property rather than something intentioned. I’ve seen that magic take many forms, here are a few examples.

A growing sense of connection and community that changes how people relate to each other.

Empowering participants such that they find their own voices and creativity and are able to stand in their own power.

Connecting people with the land and seasons in a way that radically impacts on who they are and what they do.

Giving power to vows, dedications, offerings and intentions such that a person is more inspired to see it through, more invested and more able. Bringing the sacred to our commitments.

Feeling witnessed, heard, seen and held in the context of ritual space can be an incredible and transformative experience for a person.

Inspiration / awen, shared or individual, arising within the ritual can lead to wild creativity and improvisation, and again can change people in all kinds of ways.

A sense of the numinous can be a consequence of ritual.

If you’ve got any other examples you’d like to add, do please pile into the comments section.


Do not ask what the universe can do for you…

Ask what you can do for the bits of the universe you encounter. This is a line of thought inspired by a recent comment on the blog (thank you). Rather than looking at how magic answers can be persuaded to come to us, why not look at how to be magic answers, for other people and for the planet?

Of course this depends on being sufficiently resourced, but many of the things I’m poised to advocate don’t require a person to be silly amounts of privileged. When we spend all our time asking the universe/the gods/angels/crystal dolphins to help us out, we may feel that we are loved by the universe etc. But we may also be teaching ourselves to feel powerless.

Give praise. It’s an easy way of uplifting people who are doing good things. Self esteem courses recommend praise giving because it empowers the giver, too.

Give away things you don’t need. Nothing creates a feeling of abundance like giving stuff away – so long as you can afford it. Even if it’s very occasional, passing something along gives a real sense of power, and solves a problem for someone else.

Listen. There’s a lot of distress that can be eased just by hearing, acknowledging and witnessing people. It costs time and emotional labour, but if we all spared a little of that, the world would be a kinder place.

Every charity out there could do with more volunteer support than it gets. The same is true for pretty much every volunteer organisation out there. The scope to be someone else’s miracle is vast.

A kind word, a small deed of assistance, a gesture of respect and friendship – these things can and do save lives. A little bit of taking care of each other goes a long way towards producing miraculous results.

Make things of beauty.

Speak up for that which has no voice – for creatures, landscapes and ecosystems. Help amplify people who are not heard. Education is essential for solving most problems.

Don’t be afraid to stand out, to go against the flow, or dispute the consensus.

It’s just a small flavour, not an exhaustive list. If you believe in magic – well, magic works better when you give it something tangible it can latch onto. If you believe that like attracts like, then what you do has to be in that equation. If you believe in karma, then your actions in the world have got to matter. If you think the universe loves everyone, be the vector by which some of that love gets out into the world. Be the change. Be the magic you want to see happening.

Personal privilege is not a measure of how spiritual we are. It’s not the advantages you have that count, it’s what you choose to do with them. And I promise, if you want to feel magical and powerful, then doing some discernible good will give you that far more than any ego massage ever could.


The validation of creatures

Often what I do when stressed or distressed is walk. The rhythm of it helps resettle my body, and the activity can help get the stress toxins out of my system. Green spaces are known to be good for mental health, and beyond that, there’s the powerful business of encountering.

I walked last night, with my husband and son, because I needed to try and clear my head and straighten my thoughts. We saw rabbits, deer, herons, a kingfisher, numerous small birds, fish, moths, bats… We got close to several of the herons, who opted to stay put and tolerate us moving through their territory. The deer watched us back. The bats flew close to our faces.

Wild things make their judgements in very different ways to humans. They judge our speed and direction, how loud or quiet we are, what kind of attention we pay to them. If they tolerate us it is because we are interesting and unthreatening. As far as I can tell, they do not care one jot about our body shapes, faces, bank balances, or social status.

To be in a space with creatures, to be in your creature body and in sympathy with wild things is a powerful kind of magic. It is one of the most affirming and healing things I know of. I have a lot of issues around how I deal with people, and whether I’m good enough. Last night reminded me that I am good enough for herons. Little grebes have no problem with me. Deer find me curious.

Domesticated creatures can be incredibly affirming too. The dog who rushes towards you, delighted by the mere fact of your presence, the cat who decides you are worth bothering with. The horse who comes over for a scratch. If a creature has the space to choose, and they choose to engage, it feels like a blessing, to me.

We humans make up a lot of stories and complications over who and what we are to each other and what it means, and what might be important. It’s exhausting, disorientating, and when you’re on the wrong end of it, painful. Sometimes it’s good to just go and hang out with a heron for a while.


Knowing the Land

I love visiting new places and exploring unfamiliar landscapes. It’s very easy to get excited about the unfamiliar, and the rush of discovery and encounter. The new view, the unfolding of a landscape that surprises at every turn – there are adventures to be had.

It’s all too easy (and I say this because I’ve done it) to come in for the first time, get caught on the wave of excitement and feel that you’ve got a deep and meaningful insight into a place. It’s possible (again, I’ve done it) to psyche yourself up into an especially magical Pagan mindset so that every part of the experience is charged with symbolic resonance and a sense of the divine. It’s easier to do this with an unknown landscape than a familiar one, because the unfamiliarity makes us pay more attention and tends to leave us more open to being awed.

It’s possible (yes, yes I have…) to come away from a very superficial encounter with a new landscape feeling powerful, charged up, spoken to… or whatever else it was that you wanted to feel.

Walking in a familiar landscape won’t give you that rush. When your feet know the shape of the land, and you’ve been there season after season, and you know what’s normal, and the land going about its own things and not therefore any kind of sign meant just for you… it takes effort to go out into the familiar and really see it. Seeing the familiar as magical is much harder work, because you have all the baggage of your everyday life and self in the mix.

What comes from a slower, deeper relationship with the land is less likely to make you feel big and important, and more likely to make you feel part of what’s around you (and thankfully yes, I’ve done that too).


The curious magic of childhood fear

If you breathe very quietly, they won’t hear you, and you will be safe. It is essential that you keep your eyes shut because even though you know this doesn’t work in other circumstances, if you can’t see them, they can’t see you. If you see them, they will become able to act. Keep still and pretend to be asleep, because then they will leave you alone. Don’t be tempted to get up and look under the bed, or in the wardrobe, because that’s how they get you. If you have to go to the loo, there will be a magic thing you can do to stay safe in transit. Hold your breath. Be back before the flush does that thing…

These rules are widely shared, and I was reminded of them the other night when a poet I didn’t know mentioned the whole not breathing too loudly thing. Where do these rules come from, and why do so many of us have them in childhood?

It’s something I remember fairly well. It wasn’t always an issue, but some nights… some nights it was important to get under the covers and not move a muscle. Some nights I did not feel at all alone in my room, and what was there felt hostile. And I find myself wondering what I knew as a child that I cannot explain as an adult.

 


Reclaiming my intuition

The trouble with intuition, is that some people will use it to replace evidence in a way that cannot be argued with. The experience of people magically ‘knowing’ things that from where I was standing, looked like utter bullshit, left me reluctant to use my own for many years. I’m equally troubled by the way we use confirmation on social media ‘I have a bad feeling about today, does anyone else?’ Of course someone else does – the internet has a lot of people on it. I’m wary of how we can all use ‘intuition’ to tell us the things we want to hear, to affirm our biases, prejudices, personal insanity…

But life without intuition is thinner, paler and missing a lot of tricks. We absorb far more information than we can consciously process, and what emerges as a ‘gut feeling’ may not be ‘magic’ but instead the result of unconscious processing. If I let myself, then some of my best thinking happens this way.

How do you tell if what you’ve got is intuition, self indulgence, or madness? This is a question I’ve been asking myself for years. It’s especially loaded for me, because depression and anxiety create feelings of doom and misery, and I can persuade myself that I must be psychically knowing that something dreadful is going to happen, and spiral down into it, and make it a self-fulfilling prophecy. Or I can attribute it to dodgy brain chemistry and let it go… How do I tell which is which?

The only thing I’ve got as a method of testing, is whether I can use it to make fair models of what will happen. If my gut feel about a person, or a situation, fits in fairly well with what happens, then regardless of whether that’s psychic-ness or unconscious processing, I’ve got something I can use. If my impressions don’t relate to reality, then something less helpful is going on. It requires an uneasy amount of self-honesty. Who doesn’t want to be magical, intuitive and special? It’s hard to look at a gut feeling and say ‘you aren’t real, my brain chemistry is playing up’ but sometimes that’s the path to sanity.

Then there’s the question of how we use intuitive insights in social situations. Some people are assholes. If that’s where you’re coming from, then aggressively asserting intuition as a means to power, to subdue or impress others, is just asshattery. It’s not good to go deliberately trying to poke around in other people’s heads and lives, either. It’s an invasion of privacy. If insight just turns up, then there’s a responsibility to use that kindly, and not as some kind of power trip.

I’ve spent some years now trying to be more open to my unconscious mind, to insight and intuition and at the same time to not let my depressive and anxious tendencies latch onto it. I’ve got a way to go, and I’m a long way from entirely trusting myself, but overall I like the trajectory.


Bardic: Performance and the Awen

The awen (a Welsh word) is invoked by Druids in ritual, usually by chanting it. This is one of the traditions we owe to revivalists, not to ancient history. However, the experience of flowing inspiration is something that can and does happen – during periods of creativity, but also sometimes when performing.

For me, it’s a sensation of being completely taken over by what I’m doing and being able to do it in a totally different way – with more drama, intensity and depth than usual. On rare occasions, it’s had some very odd effects indeed. I recall a ritual when three of us spontaneously improvised music together, and another ritual where I re-wrote one of my own songs as I went to better fit the situation. I had no real memory afterwards of what I’d sung.

Awen is something that turns up when it does – it cannot be summoned by force or will. You have to be open to it, welcoming of it, ready for it, and also perfectly able to keep going if that other level of magic doesn’t happen. Sometimes it comes as a trickle, adding a sparkle to what you were doing. Sometimes it’s a tidal wave that will wash you away.

When it comes, it is best to let that flow direct things rather than trying to control it. If you want the kind of magic controlled by will and personal intent, this is not something to try and court. If you are willing to be a flute the awen can play its own tunes through, it may do just that.


Bardic Magic – collaboration

There are a number of aspects to bardic magic, but I think inspiration and the flow of it in a creative context lies at the heart of the experience. If you’ve set out to walk the bard path, creativity obviously speaks to you already, but how does a person take that up a level?

Working with other people offers some options. For me, just being around people whose work I find exciting and inspiring can have a huge effect. Being in a space where other people are being creative – be that a workshop or something less formal – can be an encouragement to create. Having people to share your own creativity with can be an incentive to get busy.

Doing creative things with people is really interesting stuff. I’m going to write about singing just to give it a focus, but from experience anything you can do collectively will create similar possibilities, although I think collective singing has a particular magic of its own.

There’s an intimacy, and a sense of involvement when you put voices together – as true for chanting protest slogans as it is for songs. There’s a real sense of being together. Any participation will give you that if you are open to it.

When people are skilled and experienced, they can fall into singing together really easily – improvising together, playing with the playing. This can be possible just from a depth of musical experience. It can be a powerful and moving experience to share with people in this way.

However, sometimes, for reasons that defy explanations, something amazing happens. It’s not always about the quality of music produced – although often the results are beyond what could have been expected. People sing together, and something emerges that is more than the sum of its parts. For me, it’s a sense that the music is coming from somewhere else, as though between them, the people involved have opened a doorway into magic. A sense of enchantment enters the song. It’s hard to put into words what is, for me, a deeply numinous experience.

When music becomes magic, it’s a soul nourishing, heart lifting sort of thing. I’ve been blessed, in my past, with two long term musical collaborations that reliably had this effect, and I’ve sung and played with a few other people where magic showed up.

So, how to do it? It’s not the sort of thing that can be reached by any kind of mechanical process, but it is about having your heart open, and being willing to be open to the people or person you are singing with. Willing to bare your soul, and give everything of yourself, and open to their baring of soul, their complete giving.