Last year at Asylum in Lincoln (biggest steampunk gathering in the UK) I spent quite a lot of time stood outside a venue being the signpost, because there wasn’t a sign, and one was needed. While I was doing that, another author at the event asked how on earth I’d ended up doing that. I said I’d offered. This year I’ll be co-running that venue, and Tom and I have had the honour of putting together a team of authors for the event as a whole. How did we end up doing that? Well, in no small part because we are the kinds of people who pile in and do what needs doing.
It’s not about the money, or the glory. Ok, it is a bit about the glory. We were keen to jump in because we want to change what happens around ‘literature’ at steampunk events. Tom and I will not be touring venues across the weekend as part of the author team, we’ll be looking after the Cathedral Centre/Steampunk embassy. If you’re in town, come and find us, it’s not a big building.
It would be fair to say that as things stand, ‘literature’ is not something most steampunks are that excited about, and with good reason. It’s not the sort of thing you can easily engage with when there’s loads going on. It doesn’t grab your attention like art or music, or clothes or devices or just about anything else at a steampunk event. If you aren’t already into an author, you may not be even slightly excited about hearing them read, and you don’t want to go to a talk about how they self published their first novel, and if you don’t write, the standard fayre of talks about how to write books may not appeal. And then there’s the room of gloom – I’ve seen these at too many events and not just steampunk ones. Tables full of books behind which mournful and obscure authors sit in puddles of grumpy entitlement wondering where all their adoring fans have got to.
Of course that’s not steampunk writing, or steampunk books as a whole, and even in the rooms of gloom there are always people worth meeting. This year, Asylum has taken a radical new approach to how it deals with authors. With that as our underpinning, Tom and I have done a number of things to further change what happens. We’ve brought in more comics people – because unlike books, comics are easy to engage with quickly. We’ve brought in authors who are great performers, we’ve got all kinds of drawing workshops on the go, and the talks are full of ideas and interesting concepts. Around the authors we’ve lured an array of fascinating folk to come and do their thing at the cathedral centre, and I think it’s going to be a really interesting space.
We will be doing some Hopeless Maine stuff – we’re using it as a recruitment opportunity for The Hopeless Vendetta (if you feel a sudden urge to be recruited, comment below!) and we’re taking out a show called Songs from a Strange Island – a mix of material written for the Hopeless Maine project, (like the Hopeless shanty) and things that inspire us (gloomy and magical folk music for the greater part).
I know we’re not alone in wanting to see things change around books and book events. I’ve been having all the same conversations with the people running Stroud Book Festival as I’ve had with many people on the steampunk side. ‘Literature’ turns people off, and often what happens under that banner is dull and self-congratulatory. I want to see more spoken word content. I want to see authors stepping up to entertain and engage people. I want to be talking about books, comics, fat comics, ephemera, writing, and creativity. I want things people can join in with, not the literary on one side and the audience on the other.