One of my projects at the moment, is writing a book about Druidry and the darkness. People who support me at the Bards and Dreamers level over on Patreon are getting monthly excerpts from the work in progress and will get the complete pdf when I’m done – in fact, anyone who supports me on Patreon will get the complete pdf if they want it. (https://www.patreon.com/NimueB)
I like giving my work away. I also like being able to eat and keeping a roof over my head, so Patreon helps with that. During lockdown, Patreon money has represented half of my dependable income. We’ve been getting by on very little.
Back to the darkness… one of the things this project has done, is got me thinking about where my relationship with the dark began, and what the key early influences were. This led to a rather surprising discovery.
As a child, I was obsessed with the musical version of The Phantom of the Opera. Revisiting some of the material from that, it struck me how much The Music of the Night had influenced my sense of what darkness is, and means. It was a song I sang enthusiastically as a young human, probably with more joy than skill. These days it is right at the limits of what I can get my voice to do. I’m not a trained singer.
For various reasons, I ended up doing a paint and cosplay wallow in the darkness with this song, recently. Younger me used to do a lot more dressing up and it was part of how I used to navigate my gender identity, such as it was. I may get back into that. I definitely need to invest more time in play, mucking about and things that aren’t entirely orientated towards making a living. It’s often a thing for creativity – that you need it to pay to justify doing it, but it is the time invested in the not economically focused things that actually make the creativity possible, and therein lies all kinds of challenge!