
This viola came to me maybe fifteen years ago, and previously belonged to another Druid. In its previous life, this viola went to The Albert Hall as part of Portsmouth Sinfonia, so it has quite a history of its own.
I started learning the violin when I was about ten – the two are similar in that the interval between the strings is the same, although the viola is lower. They have different clefs for musical notation so while I can in theory read for viola, I’m not very good at it! My brain was, for many years, entirely wired to the violin. However, for some years now the state of my shoulders has meant there’s been no way of playing a violin.
Being bigger, the viola requires a different hand and shoulder position, which is more viable for me. After some months of work, I’ve built up so that I can play for half an hour without too much pain. Relearning tunes on a bigger instrument with all the wrong muscle memory has been a bit of a fight, but I’ve got some of them back under my fingers and they don’t sound too shabby.
In the photo, is the viola in its new hard case. Getting the case is is act of faith and hope on my part. I should be gigging a bit this winter with a local folk outfit called The Jovial Crew – hopefully I’m ready and equal to that. Beyond that lies a project I want to use the viola for, but it’s early days and there’s a lot to figure out. Somewhere on the distant horizon is the vague shape of a third musical possibility for which being able to be out and about with a viola would be a great help.
Part of the bard path is about putting creativity into the world. Part of it is about the quest for inspiration so that you have something to share. The third key strand is about doing the work so that you have the skills set you need. All three are vital. I find it difficult to keep any of that moving without also having somewhere to take my creative output. An audience of one is enough to make it worth striving. What works best for me is having people to interact with, who can be motivation, inspiration and reward all at the same time. I’m really blessed with regards to my current creative collaborators – around music and writing alike. I get to do things with some tremendously cool and interesting people.
December 2nd, 2022 at 12:48 pm
I’m in the same boat, and I’m a Druid. I starred violin at age 11, and only a few years ago picked up a viola. I love the tenor of the low C! Alto clef is indeed challenging, but I found a quick cheat —you read the alto clef and play as if you’re in 3rd position on the violin. It works. 🙂
December 2nd, 2022 at 1:25 pm
Wow! If you can make that work for you, all power to you. I don’t think my little brain could manage that either – I’ve done so little from the dots in the last decade or so, which probably doesn’t help. Hopefully I’ll get away with just playing by ear.
December 2nd, 2022 at 2:09 pm
[…] Bard life […]
December 2nd, 2022 at 10:37 pm
Can you play the viola in a fiddle position as compared to the proper under-the-chin?
December 2nd, 2022 at 10:46 pm
It’s definitely easier to hold in less classical positions, which makes it easier to work around the shoulder issues. Not having to have my hand so high makes a lot of odds.