At the moment, a lot of my time and creative energy is going into a project called The Ominous Folk of Hopeless, Maine. We’re a four person singing group, doing a mix of original stuff, covers and folk.
This all started some years ago when the Hopeless, Maine graphic novel project was invited to participate in the local book festival. What do you do with a graphic novel on a stage? We put together a mix of stories and folk songs, because folk traditions have always been a big influence. James and I have been singing together his whole life. We added Susie to the mix and last year took our first Hopeless, Maine show out into the world, debuting it at Festival at the Edge, in 2021.
We’re gigging a lot – at Steampunk events, folk things and local stuff. We’re now in a conversation about recording an album in October, which is an exciting prospect.
This isn’t my first musical project – I played in a blues rock band in my teens, gigged as half a folk duo in my twenties and have been involved in assorted things that were mostly for fun. I love performing. I love how this group works – the balance of silliness and gothic, folk horror vibes, the getting to play with kit, and the ways in which we can increasingly do things by magic.
This is performance with no safety net. We sing unaccompanied, so there’s nothing to refer to for pitch. There are also quite a few songs that start with two of us singing in harmony, and we’ve got to a point where it just happens, we simply hit the notes. We’ve learned to breathe together, and to be able to make sense of what we’re each doing even when we are stood in a line far enough apart not to be able to easily see each other in peripheral vision. I get a massive kick out of this. It’s definitely magic, no two ways about it.