At the weekend, we took The Ominous Folk of Hopeless Maine to Stroud Steampunk weekend, with a show called Wrecked on Hopeless. It’s a mix of storytelling, script and song and gives people an introduction to the fictional island of Hopeless, Maine.
It went so well that we’ve had several further bookings as a consequence, which is really exciting. This has led me to thinking about what we might do next year and what I might write for us.
My creative life depends on having people to create for. It’s one of the reasons I love being in steampunk spaces because there’s always so much warmth and enthusiasm. Making things for steampunks is a deeply rewarding process. I invariably come out of steampunk events full of ideas and feelings about things I want to create. At the moment, I’m giving a lot of thought to what I will take to the Winter Convivial in Gloucester in November – more of that over here – https://www.facebook.com/SteamPunkFestGloucester
When I initiated as a bard, I pledged to use my creativity for the good of the land, and for the good of my tribe. At this point I recognise that ‘tribe’ isn’t a good word to use but it’s now part of the history I have. So, while I won’t claim that word moving forward, I need to acknowledge it in relation to that specific pledge.
It remains vitally important to me to think about who my people are, and to think about what good I can do with my creative work.