Intuition is a really important skill for bards. First and foremost it’s about being able to read the room (or grove). Having a feel for your audience that allows you to respond to them is essential for making a connection and communicating effectively. You also have to give yourself space for that – if you’ve carefully planned out every detail of what you will say and do, you’re leaving no space to include what comes up at the time.
Stages feel pretty exposed at the best of times. If you are nervous you may feel like trying to be more open to your audience is a bad thing. This is not something a person is likely to get the hang of at the first go. It’s something to explore once you’re over the worst of the nerves caused by simply trying to perform.
It’s easier to read the room if you start before getting on to the stage. It’s important to check out the space and the audience ahead of time. Flounce up just before your set and you have no idea what you’re walking in to. It’s easier to try and read the mood of the gathering before you start performing. Some crowds respond well to bombast, some will like you more if you come in gently.
Intuition has a role to play at other times as well. Very few bards create in the moment and on the day. It takes time to learn, write, choreograph or otherwise get your creativity to the point where you can share it. What you have to learn to get there, is an issue. The decisions about what to work on happen a fair way ahead of sharing a finished piece. What will be relevant by the time you can share it?
For me, 2021 has been full of intuitive leaps in the dark. I’ve made decisions about what to do and when, creatively, that were at best informed by wild guesses. That’s been going surprisingly well, so far. It’s left me feeling more open to possibility, and perhaps a little more in tune with the tides of existence. Which sounds slightly pretentious, but I can’t think of a more grounded way of saying it!