Thus far this year has not gone to plan. I’m increasingly fine with that. One of the things I didn’t get to do I’m glad I missed – the feeling of having dodged a bullet there. I’ve become involved unexpectedly in other projects as well.
I’ve just launched a new column on The Hopeless Vendetta – Mrs Beaten is judging you. Mrs Beaten is the sort of character who worries about whether the orphans are speaking proper English, and complains about their poor postures while ignoring the fact that half of them have rickets. She’s all about appearances. Writing satire always means the risk of people thinking I’m serious, and to make this even more exposed, I’m doing cartoons for it. Tom is now working on the next Hopeless Maine graphic novel and I really don’t want to take any of his time away from that. Mrs Beaten will be unleashed on Sundays, you can find her here –hopelessvendetta.wordpress.com/category/hopeless-tales/mrs-beaten/
I’m still blogging alternative wheel of the year stuff for Sage Woman every month. I blog intermittently at Moon Books. I’m writing a regular Quiet Revolution column for Pagan Dawn, and I’m writing about tree activism for the Pagan Federation International.
Over on Patreon, I’m putting up content every week, including new poetry, and fragments of fiction that may eventually turn into a thing.
Alongside this, I’m doing a bit of online campaign work for The Woodland Trust and helping out where I can with The Pagan Federation Disabilities Online Team. I am behind on learning sign language, but I do have a chant written for the next festival.
I’m supporting a number of authors who are at various stages of trying to get their work into the world. I feel strongly that getting your work out there should not depend on being able to pay. I don’t want to live in a world where arts careers are only for those who have a lot of privilege to begin with. So, where people need help and can’t afford to pay for it, I do what I can. Which is, I fear, a very small drop in the ocean of what’s needed. One of the reasons I’m reviewing every week is that it’s an easy way of helping people make their books more visible. I only review books I feel largely positive about.
Quite a lot of my time goes into unpaid work. Donating via the ko-fi link, (thank you those of you who have already done this) and supporting me on Patreon (thank you!) helps me stay viable while giving my time and skills to other people. It helps me afford to continue with Tom not taking as many illustration commissions so as to focus on getting Hopeless Maine out there. It gives me time for my own speculative work rather than having to focus on the things that are definitely going to pay. It makes losing money on events less scary, too. Train fares cost a lot, and we need to get out there to meet people and promote our work, but in the short term it is all too easy to lose money on this.
Of course much of this is true for many creative people. Having resources to invest in developing your work can be really difficult if you’re barely scraping a living. Creating part time isn’t a good answer for many people and it brings us back again to only getting creators who are in good health and well resourced. If you support the creators you love – in any small way you can – you help keep them going. Review them, re-tweet them, tell a friend. And if you can throw money at them, know that it makes an enormous difference. A hundred dollars a month on Patreon can easily be the different between keeping going and not keeping going.