I’m excited to announce the arrival into the world of Sinners, the next volume in the Hopeless Maine series. It’s been a bit of a journey – having been picked up, kicked into the long grass and then dumped by Archaia, we found the awesome home that is Sloth Comics. But, it made sense to reboot the series and put the first two books out again. It’s been a long wait to get something new out there.
Let me mention at this point that Personal Demons and Inheritance were the Archaia titles, now gathered into one volume at Sloth called ‘The Gathering’. When we left Archaia they sent us a letter to say they’d stop selling our books, but those books are still being sold and we get no money for them. I’ve no issue with people moving second hand books about, but the length of time Boom (who took over from Archaia) kept them out there was dodgy to say the least. Also, while it says on Amazon that you can buy these – it doesn’t always turn out that there’s one to buy. People trying to buy old versions have had problems.
Sinners picks up with the characters who survived the first two books and continues their stories. By this point they are young adults. You can jump in here without having read the first two stories. I’m confident about this, because Sinners was the first thing I wrote for Tom. He went to a comic con, saw the power of the cute and wanted to do a young Salamandra story, which is where the first two books – written as prequels – came from.
Getting comics out into the world makes merely trying to publish a novel look very easy. A graphic novel – or fat comic – represents six months to a year of full time work (ten hour days, five and six day weeks) for the artist. We’d have to sell tens of thousands of copies for that to turn into the minimum wage. We can realistically expect to sell a few thousand. The only way to do something of high standard as an indy comics creator, is to be willing to accept poverty as a consequence. A lot of people are making that choice because they want to tell their stories and put beauty into the world. For comparison, Tom has worked for larger publishing houses and on projects that paid advances, and even then, he wasn’t on minimum wage when we figured it out by the hour. The book industry in the UK alone is worth billions a year, but creators are treated as disposable by the companies with the most money.
These are issues across the creative industries. People have to work part time at something else to pay their bills. We want nice things, but we don’t pay for them. The internet makes it easy to have nice things at no cost – and in many ways this is a good thing. Creators are not the only people wrangling with poverty, and lack of financial power should not mean a life devoid of good things, I feel. It’s one of the reasons I’m happy to put time into this blog every day. I want everyone to have good stuff.
I work part time as a book publicist to pay the bills, and I create with what time and energy I have left. I buy books, art, tickets for live music, CDs. I have no desire to exploit other creators, but I also have limited funds to pay them with. If those of us who can pay a bit here and there do, it helps keep creative people going. Part time comics artist is not a realistic trajectory when it can take a whole year of work to create a single book. If you’ve only got a couple of hours a day, it could take more like a decade. As a part time artist you don’t have the opportunities and time to develop your craft or much time to create anything.
And on that merry note, here’s a pre-order page for the new Hopeless Maine book https://www.bookdepository.com/Hopeless–Maine-2/9781908830142
Here’s The Gathering https://www.bookdepository.com/Hopeless-Maine-Nimue-Brown-Tom-Brown/9781908830128
(you can get them anywhere that sells books)
And here’s my Patreon page in case you can spare me some small change every month. https://www.patreon.com/NimueB
February 21st, 2018 at 4:58 pm
I AM SO EXCITED ABOUT THIS BOOK! SO SO EXCITED! Well done you two 😀
February 22nd, 2018 at 7:14 am
Yay!
February 24th, 2018 at 12:35 pm
I’m not too sure it’s only comic book artists who take a year working 10 hour days 5-6 days to get a book out. I work 8 – 10 hours a day 6 – 7 days a week and it’s taken me 1-2 years for each of my collections of short stories and poems although admittedly when I’m stuck on book content I research and blog instead. I was speaking with Naomi Kruger about her new book https://www.waterstones.com/events/naomi-kruger-may-book-launch/lancaster-king-street last night and it took her five years to write and get published. I think unless you’re really mainstream art just doesn’t pay 😦
February 26th, 2018 at 7:33 am
thanks for sharing – I’m just more confident of what’s normal with comics, I think there may be more variance with authors – some people seem able to write a book every couple of months, although I have no idea how.