Sea shanties were part of my life, growing up – my Gran was an enthusiastic singer of these songs, so my memories of them go back about as far as my memories go. Shanties are working songs, creating a rhythm to support the various bits of team heaving and hauling a sailing ship required. Any kind of singing will also help you keep sane when faced with tedious jobs – deck swapping, mending things. When working on boring, repetitive, necessary things, a song will make the difference between being a happy person, and being a miserable resource.
I wrote a sea shanty recently. It wasn’t something I’d ever really thought about before because I don’t spend a lot of time on boats. As a fairly landlocked person, it’s never seemed like something I should be writing. But then it struck me that Hopeless Maine needed a shanty. I’ve been making a lot of things this year that develop and expand on the life of the fictional island, and that’s given me time to explore the details of daily life there.
Being an island, sealife is a key part of the Hopeless diet. However, the sealife is also hungry, and dangerous. The rocks, currents, winds and waves tend to force boats in, so those folk who fish don’t go very far, and spend a lot of time trying not to get themselves drowned or smashed. Or eaten.
In normal sea shanties, chaps make a lot of macho, grunty ‘ho’ and ‘hey’ noises and the odd ‘wuuuh’ to punctuate the song. Hopeless just isn’t that sort of place, which is why, in the chorus, Mr Brown is making more of a groaning noise. And if that leads you to think that we must have a rather odd sort of home life… yes, yes we do.