MCing as a bardic skill

At first glance, taking on the role of master of ceremonies for an event might look more like organising than bard craft. However, to do it well, you need a quicksilver tongue and the ability to improvise. A good MC is a good bard. The job of MC means reacting off the cuff to all the performances and to any other unforeseen events. To shape the enthusiasm of many into something coherent takes skill, and to make an evening out of a bunch of people doing stuff isn’t as easy as it looks.

If an event is being run by someone who gets up to introduce and thank performers, then the style of that person will shape the whole gathering. Whether it feels competitive or inclusive, whether there’s a sense of hierarchy or an equal footing, whether some performers are more valued than others, will often be determined by what the MC does.

Of course the being judgemental is important – the bard praises the excellent, and may try to find ways to quietly re-direct the people who are way off the mark, and will act to stop the disruptive and so forth. That judgement will often come over in the nuance of a turn of phrase, or a hint in the body language because if you are heavy handed you can lose the audience.

When the MC is relaxed, good humoured and encouraging, more people may feel empowered to have a go. A good word at the end of a piece can lift a performer and inspire them to renewed efforts and greater confidence.

The MC creates the flow of an event, smoothes the transition between performers, gives shape to what might otherwise be chaos. The MC is the one who makes sure that a bardic space does not simply get taken over by the loudest and most confident, but holds room for those who aren’t as brash and assertive. Without someone in this role, it’s easy for a dominant few or a clique to take over a performance space and exclude anyone who is not one of their own, or not pushy enough to get in.

Often, when an MC does a good job, you barely notice them. They foreground the performers and keep things running smoothly, and they will barely feature in your memory of what happened. Those who have taken MCing to another level may be doing it as performance in its own right, which is also a fine way of working. MCs who can make the audience laugh, and can drop their own gems into the mix without breaking the flow can be very engaging to watch. MCs who are performers can be the opening act for the event, using their own performance to warm up and settle down the audience to the benefit of everyone else.

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About Nimue Brown

Druid, author, dreamer, folk enthusiast, parent, wife to the most amazing artist -Tom Brown. Drinker of coffee, maker of puddings. Exploring life as a Pagan, seeking good and meaningful ways to be, struggling with mental health issues and worried about many things. View all posts by Nimue Brown

3 responses to “MCing as a bardic skill

  • John Davis

    Absolutely….at our local folk club the MC was away and I was asked to step in as I do a lot of speaking from the front professionally as a funeral celebrant. I have to say that this was one of the hardest things I have done…all the things you highlighted and more. I was relieved it was for one night only and I have a new respects for what he does week in, week out. As you say, you hardly notice a good MC…John /l\

  • lornasmithers

    The best MCs I’ve seen set everybody at ease, are encouraging, supportive, make the occasional joke and work a bit of magic with well chosen snippets from their own work. The worst use their time MCing to crack darned awful jokes that have nothing to do with the evening or air their political rants. When I MC I try to be calm and smiley and encouraging and do my best to stay out of the way to make room for the performers.

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