‘Goldendark’ is a term and concept being developed by author and PhD student Kevan Manwaring. I’ve been following his work for years (followers of the blog may be finding him a familiar name as I’ve reblogged him a few times now).
In his blog, Kevan sets out Goldendark thusly “This new approach I term ‘Goldendark’, an aesthetic which daringly engages with the ethical without descending into didacticism. While acknowledging the bleak reality of things it seeks to offer a glimmer of hope – a last gleam of the sun before it sets. This ‘gleam’ could be manifest in the arresting quality of the prose, the originality of the imagery, the freshness of the characterisation, or in redemptive plots.” It’s a work in progress and he’s clear about not wanting to be dogmatic.
When I first read it, the idea really resonated with me. The gothic speaks to me, I’m drawn to dark and creepy things. My formative reading experience on this side was Clive Barker, and the combination of the awe and the awful is something I’ve always been drawn to. Without contrast, you end up with homogenous sludge.
So I was very excited when Kevan reviewed Hopeless Maine and said “gets my Goldendark stamp of approval” (you can read the whole review here.)
The kinds of stories we tell have a massive impact on our culture. We live in dark times. But, if we wallow in the darkness, if all we give ourselves are grim dystopian futures, tyrannies and horror, we lock ourselves into that narrative. I have noticed a lot of people responding to recent political issues with references to The Hunger Games and Game of Thrones. If we believe we’re heading that way, the odds of going there are greatly increased. Here’s to glimmers of hope.